Renaissance of the Heart
Petley Jones Gallery presented a mix of classic and contemporary figurative art both, sculpted and painted. Most of the pieces presented have never been in an exhibit before.
Petley Jones Gallery presented a mix of classic and contemporary figurative art both, sculpted and painted. Most of the pieces presented have never been in an exhibit before.
Architectural precision and historical accuracy of marine vessels in John Horton’s paintings keep his art in the highest esteem by collectors all over the world.
This exhibition, titled “At Blinders Wall”, incorporated Duncan Regehr’s art from different series’ of his works – unexpectedly curated and presented through a rare dramatic reflection.
Blake takes Michelangelo’s legacy and runs with it, 3D printing in his bronze sculptures a mystic tension that is deliberately anti-heroic, poignant, paradoxically sensual and immaterial. His bronzes shape unfinished bodies, slender and concise figures, goddesses of memory, ambassadors of imperishable metaphors, ready to take flight at any moment, who seem to be sculpted by light, in which 3D is the material of art. His sculptures are intentionally unfinished, from the Phantom collection to the Spirits collection, the sculptor reworks the vocabulary of ancient statuary, invents new configurations of the nudes of the new millennium, acrobats of precariousness, shipwrecked by globalization. These slender nymphs or Maenads dance on the abyss of the net, invite the viewer to reflect on the contemporaneity, they are relics of humanity, of a trivialized femininity, serialized on Instagram.
Boky Hackel-Ward is a restorer, painter, musician, photographer, performance and conceptual artist, who trained in Florence where she breathed, lived and absorbed the “grammar” of the Renaissance. A polyglot, obsessed with language, she conjugates poetry and figuration resulting in an autonomous, recognizable code.
Her male and female bodies through words welded together determine enigmatic identities. In the communicative energy of language and in the universality of poetry, Boky yearns for the rebirth, the materialization and transfiguration of the verbum, evoking tension towards the absolute expressed with gold.
Blake has exhibited in Monaco, England, Germany, Italy, Singapore, Hong Kong, India, The United States, and Canada. His work is in the private collections of Prince Albert of Monaco, Herb Alpert, Gerry Moss, among others, as well as three public pieces displayed in the gardens of Monaco and one in the Salle Garnier Opera house. Boky has exhibited in Monaco, France, Aspen and Chicago. Their atelier is in Monaco.
Marie H. Becker paints with an edgy sense of humour: Acute insight into environmental detriment surprisingly juxtaposed by a bright-coloured splash of belief that everything alive shares a unifying commonality.
“Diverse influences inform my art. From my love of the frescoes of Giotto and early Renaissance art, to folk art, colour field paintings, embroidery, and textiles. These might all find their way into my imagination and paintings: This rich historic archive leaves me free to pull together polar images that yield modern and occasionally wry messages’, Marie shared with us.
A clever show – curated and designed in the most unexpected way!
Petley Jones Gallery presents a curated show of Parisian works by Canadian artist Llewellyn Petley-Jones (1908-1986).
Amelie Ducommun from Barcelona, Spain and Valerie Capewell from Vancouver Island, British Columbia – two artists from two different continents.
Inspired by the majestic coastal mountain range, Petley-Jones has expressed his love and passion for painting
“PRESENCE” is an exhibition of figurative works selected from two separate series of oil paintings: “Pilgrim” and “Palimpsest”. The exhibition will celebrate the launch of my seventh book of visual and literal works, also entitled “Presence
Blake Ward’s works from his Spirits Collection expand on the techniques of figurative sculpture developed in antiquity.
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