Michael Kluckner – Solo Exhibition

Michael Kluckner – Solo Exhibition

“The Rooming House” by Michael Kluckner launches Thursday, June 2nd, 2022, at the Petley Jones Gallery. Kluckner’s new solo exhibition at the gallery brings in paintings from his recent publication and studio practice. “The West Coast in the Seventies” exhibition includes new paintings by the artist, some of which swirl the boundary between representationalism and surrealism. Kluckner approaches familiar unanswered questions people asked in the Seventies. Questions around impending ecological disaster, urbanism, and a vanishing Vancouver. 

In the 1960s and early ’70s, thousands of youths were on the road, hitchhiking across Canada, living in rooming houses in cities like Vancouver and in communes in the country.

In his book illustrations, Michael Kluckner follows several of these young men and women sharing an old home in Vancouver’s Kitsilano district, tracking their loves, losses and wanderings through the diary entries of two of them. It is both a coming-of-age novel and an exploration of the events of those years.

Kluckner’s solo exhibition invites viewers deeper into the illustrations, watercolours and oil paintings that capture Vancouver’s past and present.

In the words of one of his characters, the youth were
“just drifting, looking for something to believe in.”

Please join us for the book launch and solo exhibition, featuring paintings from Kluckner’s newest illustrated book, “The Rooming House”, at the Petley Jones Gallery on Thursday, June 2nd between 5 – 8 PM.  Listen to a soundtrack of rock classics at the opening, meet the artist, and mingle with fellow appreciators of Vancouver’s history. 

Canadian Historical Work: New Work Available

Canadian Historical Work: New Work Available

It’s hard to believe that paintings such as these were once regarded with scorn. Jackson himself recalled being thought of ‘as a rebel, a dangerous influence; that (he had) been told that (he) was on the verge of insanity and that (his) painting was nothing but meaningless daubs.’ However, the Group wanted to convert skeptics into believers. At their core, they knew the artistic salvation of Canada required art that was all-Canadian.

The Group of Seven believed that European subjects produced by Canadian academic artists, and even Canadian subjects produced by artists in a European style, were not fit for a young country that wanted to express its own identity. Other pioneers of this were artists such as J.W. Beatty and Sarah Robertson. After multiple trips to study abroad, Beatty recognized the need for Canadian artists to create a unique way of seeing that better represented their evolving country.

“I made the mistake in 1900 of going to Europe to study. That is the biggest mistake and the greatest error that any native-born Canadian can make.” J.W. Beatty

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2245 Granville Street Vancouver, BC