Figuratively Speaking: Figures and Portraits

Exhibiting: January 11th – 30th, 2024

“Figurative Speaking” is an extraordinary art exhibition that brings together the timeless beauty of figurative artwork, showcasing the evolution of this captivating genre. This exhibition provides a unique opportunity for art enthusiasts to witness the timeless allure of figurative art across different eras and perspectives.

The exhibition not only celebrates the renowned Pablo Picasso and the Sunday B. Morning Warhol prints, but also highlights the contemporary interpretations by Thomas Anfield, Brigitta Kocsis and Michael Hermesh.

Brigitta Kocsis’ work focuses on investigating the shifting concepts of the human body and its environment. Contemporary discoveries in anatomical technologies have profoundly changed how one perceives the human body. These figures, like actors, depict a kind of abhorrent contemporary beauty where science fiction and artificial body parts are no longer fiction. The tension contained within the bodies of the characters due to pervasive technologies communicates a sense of the contemporary environment in its fractured state. 
 
The Lost Boy is part of the “Hide()us” series, created as a result of a research residency in Berlin, Germany.

The Lost Boy
Brigitta Kocsis
2011, Acrylic on canvas
36 x 48 in

Le Vieux Roi
Pablo Ruiz Picasso (1881 – 1973)
1959, Lithograph
26.25 x 20.25 in

Known as one of the most influential artists of the 20th century, Picasso’s contributions to figurative art are immeasurable. Picasso is widely known for his paintings and sculpture, his work in printmaking is just as prolific. 

Picasso worked with Mourlot Studios over several months to create over 400 lithographic prints between 1945 and 1969. During this time, Picasso lithographs were experimented in ways the medium had never seen before. With unconventional methods like finger painting, using bright colors, and creating plates from collage and mixed media, Picasso confused and frustrated the master printmakers in Mourlot’s atelier. “He looked, he listened, he did the opposite of what he had learnt- and it worked,” Mourlot, the famous publisher and printer, once said of Picasso’s lithograph knowledge. He wanted to print in ways that had never been done before, and the printmakers doubted what he was trying to do was even possible. But Picasso not only succeeded in creating his desired prints but he excelled in these new techniques.

Thomas Anfield’s distinctive approach to figurative painting often features the unification of figuration and abstraction.  The new work explores the interplay between pattern and colour, between flatness and form.  “Couple on Love Seat” invites you to see into Anfield’s abstraction, into their loving realm of couches, cuddles and Cubism. 

 

“My work has always remained centered around the figure, this obsession has taken me in a lot of different directions from attending dissections at art school in New York to doing Butoh performance where as a figure painter I put myself out there, literally.”

-Thomas Anfleld

Couple on Love Seat
Thomas Anfield
2023, acrylic
52 x 40 in

Copyright Petley Jones Gallery
2245 Granville Street Vancouver, BC